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Context Art Miami 2024

The exhibition presented by Ting Ting Art Space aims to explore the relationship between individuals, culture, and the inner world in modern society. The works connect and reveal how contemporary people seek self-identity in the intersection of the virtual and the real, while understanding the transformation of interpersonal relationships and cultural symbols in an increasingly alienated social environment. As society rapidly changes and becomes more virtual, humans express themselves through art, media, and symbols, exploring the essence of identity. In this process, they reflect on the transformation of cultural symbols and seek inner connection and meaning.

Date |
Platinum VIP Preview 12/3 11:00–13:00
VIP Preview 12/3 13:00–16:00
General Admission
12/3 16:00–21:00
12/4 11:00–19:00
12/5 11:00–19:00
12/6 11:00–19:00
12/7 11:00–19:00
12/8 11:00–18:00

Booth | C7

Location |
The CONTEXT Art Miami Pavilion
One Herald Plaza, Miami, FL 33132
Downtown Miami
On Biscayne Bay between the Venetian & MacArthur Causeways

Artist |
Katharina Arndt
Moisés Yagües
Daniele Oldani
Luigi Franchi
Edoardo Cialfi
Shih Siao Mo
Fabio Viale
Marina
Baku Maeda
Akihiko Yoshida

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Art Taipei 2024

At the 2024 ART TAIPEI Art Fair, Ting Ting Art Space presented an exhibition themed Multiple Narratives and Dreamlike Scenarios, inviting the audience on an artistic journey where emotion and reason intertwine. The booth design blurred the boundaries between reality and imagination, creating an imaginative space that encourages people to re-examine their relationships with themselves and the world from various perspectives.

The exhibition featured a diverse group of artists, each with a distinctive style. Despite their differences, their works collectively conveyed a fusion of innocence, dreaminess, and profound emotion. The exhibition space utilized various media and innovative techniques, offering an experience that transcends traditional two-dimensional and spatial limitations. This immersive setting allows visitors to engage in different scenarios, while also sparking reflections on diverse cultures and values.

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Art Central 2024

Ting Ting Art Space is making its debut at the prominent Art Central in Central, Hong Kong, a focal event during Hong Kong Art Week. Gathering Asia’s emerging galleries and internationally renowned masters, the exhibition will feature seven artists spanning from playful and bold prints to street art graffiti, from abstract symbols to serene landscapes that offer solace to the soul. Additionally, alongside the paintings, large-scale sculptures will also be showcased.

Sculpture work – “Ashes of History,” created by Spanish artist Alejandro Monge, uses destruction as a new form of creation for reflection. The artwork to be exhibited at Art Central is a realistic series of burnt dollar bills. Monge recreates stacks of bills using paper and acrylic paint, ultimately burning them to ashes. Through the act of burning his own creations and their imagery, Monge satirically embodies his critique of the all-encompassing rule of today’s societal and economic values. This series of works has garnered widespread international media coverage and attention.

Overall, the curatorial layout and arrangement of artworks designed by Ting Ting Art Space revolve around a circular corridor space. Additionally, the exhibition walls cleverly feature a window-like void, enticing both passersby and visitors to explore the artworks placed around it. Ting Ting Art Space aims to evoke interaction between viewers and artworks, as well as diverse aesthetic experiences from different positions and angles through this experimental design.

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Edoardo Cialfi

Edoardo Cialfi studied at the Alpinolo Magnini Academy of Art and then obtained a First Class Academic Diploma in Painting and Visual Arts at the LABA in Florence. Currently studying a two-year specialization in Art-Cultural Mediation in Painting Studio Direction at the Academy of Fine Arts in Verona.

His art started in 2008, when he started using the aerosol medium, and in 2012 he started doing street art groups. In an academic setting, however, he decided to move his research away from walls to more traditional flat surfaces such as canvas, wood or cardboard. He began working on a reinterpretation of archetypal pictorial languages, especially the genre of landscape painting, but maintaining a strong connection to his origins, creating his aerosol works. In the works presented this time, on the one hand, the urban countryside shrouded in smog is printed on canvas with spray cans and oil paint; on the other hand, the tangible and three-dimensional structure is between photography and sculpture.

His reinterpretation of landscapes is more than an aesthetic manipulation. He tried to use two fields to express two different concepts: fog and storm. Fog is the medium through which he attempts to represent the isolation and insecurity that characterizes contemporary man. Storm, on the other hand, is his means of trying to express the concept of nature as a threat, an autonomous, impartial entity capable of loathing human existence, and these landscapes are the domains of his birth and life.