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Shoko Mihira

The “monsters” created by Shoko Mihira originate from personal experiences, world events, and people encountered in life, each transformed through her perspective into tangible forms. Rooted in real-life experiences, the works evoke a strong sense of familiarity—“this really happened”—with each piece carrying its own narrative.

Before focusing on her artistic practice, Mihira spent over a decade immersed in BMX street culture, which continues to inform her work. She creates her pieces using flame working, a technique learned from her mentor Zii, working primarily with durable borosilicate glass suitable for long-term display and collection.

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Zhang Chun Ying

Artist Zhang Chun Ying works with ink on silk and mixed media, using layered washes and delicate refinements to create tranquil and translucent surfaces. Through landscapes, bamboo, rocks, flowers, and spatial structures, the works construct dreamlike scenes that reflect an Eastern view of nature, time, and the inner world.

Influenced by Zen philosophy, the artist explores the relationship between the self, nature, and space through the interplay of light, shadow, and layered environments. The works invite viewers into quiet, meditative spaces filled with emotional stillness and contemplation.

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Javier Gonzalez Burgos

Javier González Burgos (Javi Burgos) is an Argentine illustrator, picture book author, and art director with an extensive international career in publishing and visual arts. Trained in Graphic Design and Audiovisual Production, he has illustrated over 120 books published and exhibited worldwide. His work is defined by a poetic visual language and a distinctive picture-book aesthetic that bridges illustration, storytelling, and fine art—exploring imagination, dreams, identity, and emotional landscapes for both children and adults.

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Seleka Muñoz

Seleka Muñoz (b. 1982, Seville) began his engagement with public space through graffiti at the age of ten. Over time, his practice shifted to a studio-based exploration of abstraction.

Entirely self-taught, Muñoz approaches painting with disciplined focus. His work avoids representation, instead developing a visual language rooted in gesture, surface, and material sensitivity. While in dialogue with modernist abstraction, his paintings reject nostalgia or stylistic imitation.

Through processes of layering and erasure, Muñoz navigates the tension between intuition and control. He sees painting not as illustration, but as inquiry—a space for ongoing experimentation.

Resisting immediacy, his work unfolds slowly, inviting viewers into a space where meaning remains open, layered, and evolving.

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Luo Dan

Since 2006, Luo Dan has been dedicated to picture book and illustration creation, gradually expanding into explorations of single-frame painting. Her works focus on expressing emotional resonance through the expressions and gestures of people and animals. Using mainly pastels combined with acrylics, she employs light, shadow, and gentle color tones to convey the tranquility of life and evoke a sense of inner healing and peace.

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Haguri Takeshi

Haguri Takeshi (born 1957 in Nagoya, Japan) is a contemporary Japanese sculptor who primarily works with wood. He graduated from the Department of Sculpture and the graduate school at Aichi Prefectural University of Fine Arts and Music, and has been creating since the 1980s. Camphor wood is his principal material, occasionally combined with metal elements.

His works merge tradition and modernity, imbued with theatrical tension. The figures are exaggerated yet composed, often adorned with masks and full-body tattoos that reference Noh theater, festivals, and ukiyo-e culture. The tattoos are meticulously hand-painted by his collaborator, Miki Nagasaki, adding further depth and dimension to the sculptures.

Over the years, his themes have evolved—from the lighthearted “Musicians” series, to depictions of rebellious youth in “Yankees,” to gangsters and outlaws in “Outlaws,” and more recently the “Matsuri” series, which blends festival imagery, folklore, and characters drawn from ukiyo-e. These works consistently reflect his interest in social outsiders and cultural symbols.

Haguri’s sculptures range from small-scale pieces to monumental works over two meters tall, many of which are installed in public spaces across Japan. He has held solo exhibitions in Tokyo and Nagoya, participated in sculpture exchanges in Japan and Germany, and presented works at international art fairs, securing his distinctive place in contemporary art.

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Reload

Reload (Barcelona, 1972) is a multidisciplinary artist rooted in a family tradition of antique dealers and recognized as a leading figure in contemporary sculpture. Working primarily with marble, he merges classical sculptural language with pop culture, cinema, rock music, and subcultural codes. Defining his approach as “retrofuturist art,” Reload humorously reinterprets Western myths, desacralizing them and placing them within a contemporary cultural flow. His works transcend formalism to create expanded experiences where emotion, reflection, and play converge. By hybridizing the eternal and the ephemeral, the canonical and the countercultural, Reload transforms marble into a vibrant field of dialogue where beauty coexists with provocation and history is rewritten through a critical, contemporary lens.

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Nathan Paddison

Nathan Paddison’s paintings are raw, expressive, and deeply personal, shaped by lived experience and emotional urgency. Working instinctively across multiple canvases, he creates a world where color, gesture, and memory collide. His characters—part family, part self—form a visual language that reflects his identity as an artist, father, son, and friend. For Nathan, painting is not just a process, but a place of escape and belonging. “My art is me, I am my art.”

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Cheng Yi Cheng

Cheng Yi Cheng , born in China in 1985, is a graduate of Anhui Normal University. Influenced by early 2000s comics, Renaissance art, and Tang and Song dynasty paintings, he blends these elements into a surreal, fantasy-inspired style. His subjects range from figures and animals to landscapes, reflecting his vivid childhood and adolescent experiences. Chengyi currently lives in Beijing.