Taking as a starting point, the appropiation and afterwards the manipulation of diverse iconography bases on popular images, Mincemeat shows a sample if diverse realities while being seduced by fiction.

A story that not only takes into account the objects of wonder, but is also subject to admiration and amazement, including those of visceral rejection and disgust.

The paintings that make up this series state a contemporary “Horror vacui” of everything that cannot be, that exists and does not exist at the dame time, that scares and seduces us, belong to us and entertains us, pushing us to imagine other worlds different from our own.