Seleka Muñoz (b. 1982, Seville) began his engagement with public space through graffiti at the age of ten. Over time, his practice shifted to a studio-based exploration of abstraction.
Entirely self-taught, Muñoz approaches painting with disciplined focus. His work avoids representation, instead developing a visual language rooted in gesture, surface, and material sensitivity. While in dialogue with modernist abstraction, his paintings reject nostalgia or stylistic imitation.
Through processes of layering and erasure, Muñoz navigates the tension between intuition and control. He sees painting not as illustration, but as inquiry—a space for ongoing experimentation.
Resisting immediacy, his work unfolds slowly, inviting viewers into a space where meaning remains open, layered, and evolving.
